The Pursuit of Happyness

The Pursuit of Happyness

Theatrical release poster
Directed by Gabriele Muccino
Produced by
  • Todd Black
  • Jason Blumenthal
  • James Lassiter
  • Will Smith
  • Steve Tisch
Written by Steven Conrad
Starring
Music by Andrea Guerra
Cinematography Phedon Papamichael
Editing by Hughes Winborne
Studio
  • Relativity Media
  • Overbrook Entertainment
  • Escape Artists
Distributed by Columbia Pictures
Release date(s) December 15, 2006 (2006-12-15)
Running time 117 minutes
Country United States
Language English
Budget $55 million
Gross revenue $307,077,295

The Pursuit of Happyness is a 2006 American biographical drama film directed by Gabriele Muccino and based on the true story of Chris Gardner. The film stars Will Smith as Gardner, an on-and-off-homeless salesman-turned stockbroker.

The screenplay by Steven Conrad is based on the best-selling memoir written by Gardner with Quincy Troupe. The film was released on December 15, 2006, by Columbia Pictures. For his performance, Smith received an Academy Award nomination for Best Actor and a Golden Globe nomination.

Contents

Plot

In 1981, in San Francisco, the smart salesman and family man Chris Gardner invests the family savings in Osteo National bone-density scanners, an apparatus twice as expensive as an x-ray machine but with a slightly clearer image. This white elephant financially breaks the family, bringing troubles to his relationship with his wife Linda, who leaves him and moves to New York where she has taken a job in a pizza parlor. Their son Christopher stays with Chris because he and his wife both know that he will be able to take better care of him.

Without any money or a wife, but committed to his son, Chris sees a chance to fight for a stockbroker internship position at Dean Witter, offering a more promising career at the end of a six-month unpaid training period. During that period, Chris goes through a lot of hardship personally and professionally. When he thinks he is "stable," he finds that he has lost $600 when the government takes the last bit of money in his bank account for taxes. He is rendered homeless because he can't pay his rent. He is forced at one point to stay in a bathroom at a BART station, and must scramble from work every day to the Glide Memorial United Methodist Church, which offers shelter to the homeless. He must leave work early every day so that he is there by 5:00 in the evening along with his son so that he may be assured of a place to sleep. He is seen carrying his suitcase to work because he doesn't have a home. At work, there are nineteen other candidates for the one position.

One day, he is called into an office and in it were the heads of Dean Witter. Chris thinks that he is about to be told the job will not be his as he says that he wore a shirt and tie for his final day. Then they tell him that he has been an excellent trainee and that tomorrow he will have to wear his shirt and tie again as it will be his first day as a broker. Chris struggles to hold back tears. Outside he begins to cry as the busy people of San Francisco walk past him. He rushes to his son's daycare, hugging him and knowing that after everything he and his son had been through things would be all right.

The final scene shows Chris walking with his son down a street. His son is telling him a joke, when a wealthy business man in a suit walks past. Chris looks back as the man continues on. The man in the suit is none other than the real Chris Gardner.

Cast

Production

The film was largely shot in San Francisco.[1]

A fake BART station was constructed in Duboce Park and removed after filming.[2]

Critical reception

In the San Francisco Chronicle, Mick LaSalle observed, "The great surprise of the picture is that it's not corny . . . The beauty of the film is its honesty. In its outlines, it's nothing like the usual success story depicted onscreen, in which, after a reasonable interval of disappointment, success arrives wrapped in a ribbon and a bow. Instead, this success story follows the pattern most common in life — it chronicles a series of soul-sickening failures and defeats, missed opportunities, sure things that didn't quite happen, all of which are accompanied by a concomitant accretion of barely perceptible victories that gradually amount to something. In other words, it all feels real."[3]

Manohla Dargis of The New York Times called the film "a fairy tale in realist drag . . . the kind of entertainment that goes down smoothly until it gets stuck in your craw . . . It's the same old bootstraps story, an American dream artfully told, skillfully sold. To that calculated end, the film making is seamless, unadorned, transparent, the better to serve Mr. Smith's warm expressiveness . . . How you respond to this man's moving story may depend on whether you find Mr. Smith's and his son's performances so overwhelmingly winning that you buy the idea that poverty is a function of bad luck and bad choices, and success the result of heroic toil and dreams."[4]

Peter Travers of Rolling Stone awarded the film three out of a possible four stars and commented, "Will Smith is on the march toward Oscar . . . [His] role needs gravity, smarts, charm, humor and a soul that's not synthetic. Smith brings it. He's the real deal."[5]

In Variety, Brian Lowry said the film "is more inspirational than creatively inspired—imbued with the kind of uplifting, afterschool-special qualities that can trigger a major toothache . . . Smith's heartfelt performance is easy to admire. But the movie's painfully earnest tone should skew its appeal to the portion of the audience that, admittedly, has catapulted many cloying TV movies into hits . . . In the final accounting, [it] winds up being a little like the determined salesman Mr. Gardner himself: easy to root for, certainly, but not that much fun to spend time with."[6]

Kevin Crust of the Los Angeles Times stated, "Dramatically it lacks the layering of a Kramer vs. Kramer, which it superficially resembles . . . Though the subject matter is serious, the film itself is rather slight, and it relies on the actor to give it any energy. Even in a more modest register, Smith is a very appealing leading man, and he makes Gardner's plight compelling . . . The Pursuit of Happyness is an unexceptional film with exceptional performances . . . There are worse ways to spend the holidays, and, at the least, it will likely make you appreciate your own circumstances."[7]

In the St. Petersburg Times, Steve Persall graded the film B- and added, "[It] is the obligatory feel-good drama of the holiday season and takes that responsibility a bit too seriously . . . the film lays so many obstacles and solutions before its resilient hero that the volume of sentimentality and coincidence makes it feel suspect . . . Neither Conrad's script nor Muccino's redundant direction shows [what] lifted the real-life Chris above better educated and more experienced candidates, but it comes through in the earnest performances of the two Smiths. Father Will seldom comes across this mature on screen; at the finale, he achieves a measure of Oscar-worthy emotion. Little Jaden is a chip off the old block, uncommonly at ease before the cameras. Their real-life bond is an inestimable asset to the onscreen characters' relationship, although Conrad never really tests it with any conflict."[8]

National Review Online has named the film #7 in its list of 'The Best Conservative Movies'. Linda Chavez of the Center for Equal Opportunity wrote, "this film provides the perfect antidote to Wall Street and other Hollywood diatribes depicting the world of finance as filled with nothing but greed."[9]

Box office

The film debuted at #1 at the North American box office, earning $27 million during its opening weekend and beating out heavily promoted films such as Eragon and Charlotte's Web. It was Will Smith's sixth consecutive #1 opening. The film grossed $162,586,036 in the US and Canada, nearly three times its production cost, and a further $141,700,000 in other markets, for a total worldwide box office of $304,286,031.

DVD sales

The film was released on DVD on March 27, 2007 and As of November 2007, US Region 1 DVD sales accounted for an additional $89,923,088 in revenue, slightly less than half of which was earned in its first week of release[10]. About 5,570,577 units have been sold, bringing in $90,582,602 in revenue.[11]

Accolades

See also

References

  1. ↑ Sanders, Adrienne (2007-02-09), "Bay Area movies still rolling", San Francisco Business Times, http://www.bizjournals.com/sanfrancisco/stories/2007/02/12/story9.html 
  2. ↑ Garchik, Leah (2005-09-19), "Leah Garchik column", San Francisco Chronicle, http://www.sfgate.com/cgi-bin/article/article?f=/c/a/2005/09/19/DDGQCDVHMD1.DTL 
  3. ↑ San Francisco Chronicle review
  4. ↑ New York Times review
  5. ↑ Rolling Stone review
  6. ↑ Variety review
  7. ↑ Los Angeles Times review
  8. ↑ St. Petersburg Times review
  9. ↑ Miller, John (February 23, 2009), The Best Conservative Movies, National Review Online, http://nrd.nationalreview.com/article/?q=YWQ4MDlhMWRkZDQ5YmViMDM1Yzc0MTE3ZTllY2E3MGM=, retrieved August 19, 2009 
  10. ↑ The Pursuit of Happyness at TheNumbers.com
  11. ↑ http://www.the-numbers.com/movies/2006/PRHAP-DVD.php

External links

Films directed by Gabriele Muccino
1990s
Ecco fatto (1998) · But Forever in My Mind (1999)
2000s
L'ultimo bacio (2001) · Remember Me, My Love (2003) · The Pursuit of Happyness (2006) · Seven Pounds (2008)